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Palgrave Macmillan

Peruvian Cinema of the Twenty-First Century

Dynamic and Unstable Grounds

  • Book
  • © 2020

Overview

  • Frames and conceptualizes the growth of Peruvian cinema within the larger scope of Latin American and global film studies
  • Provides a useful and ample set of tools to address the complex functioning of current filmmaking and consumption in Peru
  • Observes how economic and political transformations are expressed and discussed in the cultural sphere

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Table of contents (17 chapters)

  1. THE MARKET DYNAMICS OF PERUVIAN CINEMA

Keywords

About this book

This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation’s diverse modes of filmmaking, it offers an insight into how global debates around cinema are played out on and off screen in a distinctive national context.

The insertion of post-conflict Peru within neoliberalism resulted in widespread commodification of all areas of life, significantly impacting cinema culture. Consequently, the principal structural concept of this collection is the interplay between film production and market forcesan interaction which makes dynamism and instability the defining features of 21st-century Peruvian cinema.

Editors and Affiliations

  • Department of Modern Languages and Literatures, Fordham University, New York, USA

    Cynthia Vich

  • School of Art, Media and American Studies, University of East Anglia, Norwich, UK

    Sarah Barrow

About the editors

Cynthia Vich is Associate Professor of Latin American Literature and Film at Fordham University, New York, USA.

 Sarah Barrow is Professor of Film and Media at University of East Anglia, Norwich, UK.

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