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Palgrave Macmillan

Ibsen and the Irish Revival

  • Book
  • © 2010

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Authors:
  1. Irina Ruppo Malone
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Table of contents (9 chapters)

  1. Front Matter

    Pages i-xi
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  2. Introduction

    • Irina Ruppo Malone
    Pages 1-6

  3. Dublin’s First Introduction to Ibsen: The Realist Plays

    • Irina Ruppo Malone
    Pages 7-24

  4. Ibsen and the Early Abbey Tradition

    • Irina Ruppo Malone
    Pages 25-50

  5. Irish Nationalism and the Ideology of Ibsen’s Plays

    • Irina Ruppo Malone
    Pages 51-76

  6. Beyond Realism: the Reception of Ibsen’s ‘Symbolist’ Plays

    • Irina Ruppo Malone
    Pages 77-108

  7. Ibsen out of Date?

    • Irina Ruppo Malone
    Pages 109-139

  8. A Farewell to the Revival and the Beginnings of Irish Modernism

    • Irina Ruppo Malone
    Pages 140-165

  9. Epilogue: Dreams of Resurrection — Ibsen and George Moore

    • Irina Ruppo Malone
    Pages 166-173

  10. Conclusion

    • Irina Ruppo Malone
    Pages 174-178

  11. Back Matter

    Pages 179-223
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Keywords

About this book

Ibsen and the Irish Revival examines Henrik Ibsen's influence on the Irish Revival and the reception of his plays in turn-of-the-twentieth-century Dublin. It highlights the international dimension of the Irish Literary Revival and offers new perspectives on W.B. Yeats, J.M. Synge, Lennox Robinson, James Joyce, George Moore and Sean O'Casey.

Reviews

'By providing a new perspective of Ibsen's influence on the Irish Literary Revival, Malone illuminates previously overlooked aspects of the Revivial, opening new avenues for inquiry. Through study of audience and playwright response to Ibsen's work, Malone provides a unique view, chronologically following Ibsen's introduction to Ireland and tracing those aspects of his work that appear in Irish Literary Revival works.' - Journal of Dramatic Theory and Criticism

About the author

IRINA RUPPO MALONE is a graduate of Hebrew University of Jerusalem, Trinity College Dublin and National University of Ireland, Galway, where she taught courses on Irish literature and theatre. She is currently Postdoctoral Research Fellow at NUI Galway, funded by the Irish Council for the Humanities and Social Sciences.

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