Abstract
Development of creative industries over the past two and a half decades has mainly been the subject of research by theorists and practitioners from the perspective of quantifying the economic growth and exports of this sector, as well as the employment distribution. These research topics have not paid sufficient attention to gender perspectives of the creative sector development, and these issues have only recently come into the spotlight.
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Notes
- 1.
UNESCO 1980, p. 86.
- 2.
UNESCO 2014, p. 25.
- 3.
Sandrine Pujar. Gender Inequalities in the Cultural Sector. Culture Action Europe, 2016. https://cultureactioneurope.org/files/2016/05/Gender-Inequalities-in-the-Cultural-Sector.pdf, pp. 31–32.
- 4.
Vera Gudac-Dodić. “Položaj Žene u Srbiji (1945–2000).” Srbija u Modernizacijskim Procesima XIX i XX veka: Žene i Deca, 33–130 (Urednik Latinka Perović. Beograd: Helsinški Odbor za Ljudska Prava u Srbiji, 2006), 34.
- 5.
Ibid., 60.
- 6.
Vera Gudac-Dodić. “Položaj žene u Srbiji (1945–2000).” Srbija u Modernizacijskim Procesima XIX i XX veka: Žene i Deca, 33–130 (Urednik Latinka Perović. Beograd: Helsinški odbor za ljudska prava u Srbiji, 2006), p. 70.
- 7.
OECD 1999, p. 13.
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Mikić, H. (2020). Gender (In)Equality in the Creative Industries: Insights from Serbia. In: Shabliy, E., Kurochkin, D., Ayee, G. (eds) Global Perspectives on Women’s Leadership and Gender (In)Equality . Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-41822-9_5
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