Skip to main content

The Invisible Art of Storytelling and Media Production

  • Conference paper
  • First Online:
Advances in Creativity, Innovation, Entrepreneurship and Communication of Design (AHFE 2020)

Part of the book series: Advances in Intelligent Systems and Computing ((AISC,volume 1218))

Included in the following conference series:

Abstract

As the early filmmakers were magicians, cinema has developed from the early days of visible ‘tricks’ to invisible ‘effects’ [1]. As narrative cinema is to engage the audience with the story, many of the cinematic effects have been made to look invisible to the untrained eyes and ears. Film is both magical and make-believe. Like a magician who manages to hide his or her trick in a magic act, a filmmaker often hides his or her magic tricks from the audience. The invisible art of hiding cinematic effects is one of the important skills in media production. In storytelling, the hidden subtext can be as important as the visual text. This comprehensive article discusses the invisible art of storytelling and filmmaking.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 169.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  1. Christie, I.: The visible and the invisible: from ‘tricks’ to ‘effects’. Early Pop. Vis. Cult. 13(2), 106–112 (2015)

    Article  Google Scholar 

  2. McKee, R.: Story: Style, Structure, Substance, and the Principles of Screenwriting. Harper Collins, New York (1997)

    Google Scholar 

  3. Mamet, D., Block, B.: On Directing Film. Penguin, London (1991)

    Google Scholar 

  4. Hitchcock, A.: Hitchcock on Hitchcock, Volume 2: Selected Writings and Interviews. University of California Press, California (2014)

    Google Scholar 

  5. Murch, W.: In the Blink of an Eye, vol. 995. Silman-James Press, Los Angeles (2001)

    Google Scholar 

  6. Vaz, M.C., Barron, C.: The Invisible Art: The Legends of Movie Matte Painting. Chronicle Books, San Francisco (2002)

    Google Scholar 

  7. Dobbert, T.: Matchmoving: The Invisible Art of Camera Tracking. Wiley, Hoboken (2006)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to David Kei-man Yip .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG

About this paper

Check for updates. Verify currency and authenticity via CrossMark

Cite this paper

Yip, D.Km. (2020). The Invisible Art of Storytelling and Media Production. In: Markopoulos, E., Goonetilleke, R., Ho, A., Luximon, Y. (eds) Advances in Creativity, Innovation, Entrepreneurship and Communication of Design. AHFE 2020. Advances in Intelligent Systems and Computing, vol 1218. Springer, Cham. https://doi.org/10.1007/978-3-030-51626-0_33

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-51626-0_33

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-030-51625-3

  • Online ISBN: 978-3-030-51626-0

  • eBook Packages: EngineeringEngineering (R0)

Publish with us

Policies and ethics