Skip to main content
SpringerLink
Log in

Artificial Nature: Immersive World Making

  • Conference paper
Applications of Evolutionary Computing (EvoWorkshops 2009)

Part of the book series: Lecture Notes in Computer Science ((LNTCS,volume 5484))

Included in the following conference series:

Abstract

Artificial Nature is a trans-disciplinary research project drawing upon bio-inspired system theories in the production of engaging immersive worlds as art installations. Embodied world making and immersion are identified as key components in an exploration of creative ecosystems toward art-as-it-could-be. A detailed account of the design of a successfully exhibited creative ecosystem is given in these terms, and open questions are outlined.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution
Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. California nano systems institute allosphere, http://www.mat.ucsb.edu/allosphere/

  2. Bourke, P.: Geometry, surface, curves, polyhedra, http://local.wasp.uwa.edu.au/~pbourke/geometry/

  3. De Landa, M.: A Thousand Years of Nonlinear History. Zone Books (2000)

    Google Scholar 

  4. De Landa, M.: Intensive Science & Virtual Philosophy. Continuum International Publishing Group (2005)

    Google Scholar 

  5. Dorin, A.: A survey of virtual ecosystems in generative electronic art. In: Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, pp. 289–309. Springer, Heidelberg (2007)

    Google Scholar 

  6. Etxeberria, A.: Artificial evolution and lifelike creativity. Leonardo 35(3), 275–281 (2002)

    Article  Google Scholar 

  7. Kumar, S., Bentley, P.: On Growth, Form and Computers. Academic Press, London (2003)

    Google Scholar 

  8. Langton, C.J.: Artificial Life: An Overview. MIT Press, Cambridge (1995)

    Google Scholar 

  9. McCormack, J.: Open problems in evolutionary music and art. In: Rothlauf, F., et al. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 428–436. Springer, Heidelberg (2005)

    Chapter  Google Scholar 

  10. Prigogine, I., Stengers, I.: Order Out of Chaos. Bantam (1984)

    Google Scholar 

  11. Smith, W., Wakefield, G.: Computational audiovisual composition using lua. In: Adams, R., Gibson, S., Arisona, S.M. (eds.) Transdisciplinary Digital Art. Sound, Vision and the New Screen, pp. 213–228. Springer, Heidelberg (2008)

    Chapter  Google Scholar 

  12. Stam, J.: Real-time fluid dynamics for games. In: Proceedings of the Game Developer Conference (January 2003)

    Google Scholar 

  13. Sternberg, R.J.: Handbook of Creativity. Cambridge University Press, Cambridge (1998)

    Book  Google Scholar 

  14. Weyns, D., Schumacher, M., Ricci, A., Viroli, M., Holvoet, T.: Environments in multiagent systems. The Knowledge Engineering Review 20(02), 127–141 (2005)

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

  1. Media Arts and Technology, University of California Santa Barbara, Santa Barbara, California, CA 93106, USA

    Graham Wakefield & Haru (Hyunkyung) Ji

Authors
  1. Graham Wakefield
    View author publications

    You can also search for this author in PubMed Google Scholar

  2. Haru (Hyunkyung) Ji
    View author publications

    You can also search for this author in PubMed Google Scholar

Editor information

Editors and Affiliations

  1. Department of Animal Production Epidemiology and Ecology, University of Torino, Via Leonardo da Vinci 44, 10095, Grugliasco, Italy

    Mario Giacobini

  2. Quinn School of Business, Belfield, University College Dublin, Dublin 4, Ireland

    Anthony Brabazon

  3. Department of Computer Engineering, University of Parma, Viale Usberti 181/a, 43100, Parma, Italy

    Stefano Cagnoni

  4. Dalla Molle Institute for Artificial Intelligence (IDSIA), Gallelria 2, 6928, Manno-Lugano, Switzerland

    Gianni A. Di Caro

  5. School of Engineering and Applied Science,Aston Triangle, Aston University, B4 7ET, Birmingham, UK

    Anikó Ekárt

  6. Complex Adaptive Systems Group, Instituto Tecnológico de Informática, Ciudad PolitŽcnica de la Innovacin, Edif. 8G Acceso B, 46022, Valencia, Spain

    Anna Isabel Esparcia-Alcázar

  7. Next Generation Itelligent Networks Research Center (nexGIN RC), National University of Computer and Emerging Sciences (NUCES), Islamabad, Pakistan

    Muddassar Farooq

  8. Faculty of Economics and Social Sciences, Helmut-Schmidt-University, Holstenhofweg 85, 22043, Hamburg, Germany

    Andreas Fink

  9. Department of Informatics Engineering, Polo II - Pinhal de Marrocos, University of Coimbra, 3030 - 290, Coimbra, Portugal

    Penousal Machado

Rights and permissions

Reprints and permissions

Copyright information

© 2009 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Wakefield, G., Ji, H.(. (2009). Artificial Nature: Immersive World Making. In: Giacobini, M., et al. Applications of Evolutionary Computing. EvoWorkshops 2009. Lecture Notes in Computer Science, vol 5484. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-01129-0_68

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-01129-0_68

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-01128-3

  • Online ISBN: 978-3-642-01129-0

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics

Search

Navigation