Abstract
Increasingly, as the nineteenth century progressed, advances in science were changing the way human beings thought about their position in the cosmos, with profound implications for the development of SF. The geologist Charles Lyell (1797–1875) challenged the Bible-inspired notion that the Earth was less than 6,000 years old in Principles of Geology (1830–33), introducing the idea of ‘deep time’ to a wide audience. A few years later, Charles Darwin (1809–1882), perhaps the most famous scientist between Isaac Newton and Albert Einstein, published his world-changing On the Origin of Species by means of Natural Selection (1859), which confirmed the vertiginously long time-scale in its portrayal of the valueless proliferation and evolution of life. William Beddoes’ (1803–1849) posthumously published Death’s Jest Book, or the Fool’s Tragedy (1850) gives a sense of the way this new understanding of time in its aspect of ‘the Sublime’ inflected the far-future imagination. In place of the personalised ‘last man’ narratives of secular apocalypse from earlier in the century, Beddoes tolls a more impersonal and impressive knell:
Tis nearly passed, for I begin to hear Strange but sweet sounds, and the loud rocky dashing Of waves, where time into Eternity Falls over ruined worlds. (Beddoes, Death’s Jest Book, IV.iii.107–10)
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© 2006 Adam Roberts
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Roberts, A. (2006). Science Fiction 1850–1900. In: The History of Science Fiction. Palgrave Histories of Literature. Palgrave Macmillan, London. https://doi.org/10.1057/9780230554658_6
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DOI: https://doi.org/10.1057/9780230554658_6
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