Notes
See ‘Birthrites’, http://birthrites.org.uk/.
Ironically, Clements has complex copyright arrangements in place for her childbirth paintings, which mean that only the paintings without the women's faces showing can be reproduced here.
Borderspace is a central concept within Ettinger's work.
See ‘Taking Place’ http://www.takingplace.org.uk.
References
Ettinger, B. (2004) ‘Weaving a woman artist with-in the matrixial encounter-event’ Theory, Culture & Society, Vol. 21, No. 1: 69–94.
Clements, J. (2009) Extracts from email interview with Imogen Tyler.
Moorhead, J. (2008) ‘The art of creation’ The Guardian, online at http://www.guardian.co.uk/lifeandstyle/2008/may/28/women.art.
Tyler, I. (2009) ‘Against abjection’ Feminist Theory, Vol. 10, No. 1: 77–98.
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Tyler, I., Clements, J. the taboo aesthetics of the birth scene. Fem Rev 93, 134–137 (2009). https://doi.org/10.1057/fr.2009.34
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DOI: https://doi.org/10.1057/fr.2009.34