Skip to main content
Palgrave Macmillan

A History of Collective Creation

  • Book
  • © 2013

Overview

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (14 chapters)

  1. Toward a New History of Collective Creation

  2. Collective Creation’s First Wave

  3. Collective Creation’s Second Wave

Keywords

About this book

Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century.

Reviews

"The editors and contributors perform admirably at providing fresh content and context to an ever-evolving tradition and practice, thus exposing the creative tension between experimentation and performative exploits. Gems include Laura Cull's use of Deleuze philosophy to posit an ontological approach to reveal creative forces behind the Living Theatre and distinguished scholar and director Jorge Huerta's piece on Chicano contributions (e.g., El Teatro Campesino) . . . Summing Up: Recommended. Graduate students, researchers, faculty." - CHOICE

"A History of Collective Creation, a groundbreaking historical narrative traces central modernist and postmodern European and North American theatrical movements that have altered and advanced the theoretical foundations of collective and alternative theatre practice. Dr. Kathryn Syssoyeva's lucid historical sensibility together with the scholarly essays included herein, re-explores the historical geneses and critical language that made it possible for these new theatrical voices to revolutionize transnational, collective performativity in an heterogeneous manner." - Roberto D. Pomo, California State University, USA, and co-author of The Longman Anthology of World Drama and Theatre: A Global Perspective

"The essays . . . do provide some fascinating discussions of both lesser-known and fairly famous practitioners who have devised their performances collectively, from the early twentieth century to the present." - Theatre

"A History of Collective Creation addresses an important need in the study of collective creation, devised theatre, and improvisational theatre by illuminating the fact that these methods of theatre-making are not limited to the latter half of the last century." Sean P. Holmes, Theatre Research International

Editors and Affiliations

  • Stanford’s Department of Drama and Graduate Program in Interdisciplinary Studies, USA

    Kathryn Mederos Syssoyeva

  • English department, Elon University, USA

    Scott Proudfit

About the editors

Jane Baldwin, Boston Conservatory, USA David Calder, Northwestern University, USA Laura Cull, University of Surrey, UK Attilio Favorini, University of Pittsburgh, USA Jorge A. Huerta, University of California, San Diego, USA Michael Hunter, Stanford University, USA Jean-Marc Larrue, Université de Montréal, Canada Victoria Lewis, University of Redlands, USA Kris Salata, Florida State University, USA

Bibliographic Information

Publish with us