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Notes

  1. Zizek, Slavoj, The Plague of Fantasies (Verso, 1997).

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  2. Lyotard, Jean Fransois, The Post Modern Condition (University of Minnesota Press, 1984), p. 73.

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  3. Ibid., p. ix.

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  4. Adorno, Theodore W., Aesthetic Theory, trans. Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1997), p. 342.

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  5. Ibid., p. 16.

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  6. Bernstein, J. M., The Fate of Art (University Park: The Pennsylvania State University Press, 1992), p. 4.

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  7. Davies, Char, Changing Space: Virtual Reality as an Arena of Embodied Being: Multimedia: From Wagner to Virtual Reality (New York, New York: W. W. Norton & Company, 2001).

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  8. Sermon, Paul, The Emergence of User-and Performer-Determined Narratives in a Telematic Environment (Sheffield Hallam University: Presented at Pixel Raiders 2, 2004).

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  9. Parker, Cornelia, Cold Dark Matter: An Exploded View (Tate. Presented by the Patrons of New Art (Special Purchase Fund) through the Tate Gallery Foundation, 1995). http://www.tate.org.uk/colddarkmatter/

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  10. Wilson, Richard, 20:50 (London: The Saatchi Gallery, 2000), http://www.saatchigallery.co.ukigallery/keyworks.htm

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  11. Eliasson, Olafur, The Weather Project (London: The Tate Modern Gallery, 2003).

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  12. Ibid. (Bernstein, J.M.).

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  13. Riley, Bridget, Perception is The Medium (New York Art News, 1965).

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  14. Ibid. (Adorno), p. 338.

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  15. Ibid., p. 80.

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  16. Ibid. (Zizek), p. 49.

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  17. Ibid.

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  18. Ibid. (Adorno), p. 78.

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  19. Ibid. (Zizek), p. 48.

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Werner, J.P. (2006). Logos, Rationale and Desire in Convergent Art Practices. In: Tymieniecka, AT. (eds) Logos of Phenomenology and Phenomenology of the Logos. Book Five. Analecta Husserliana, vol 92. Springer, Dordrecht. https://doi.org/10.1007/1-4020-3744-9_7

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