Abstract
George Segal,1 in a painterly reflection on mood, addressed his near obsession with human identity, saying, “I could establish an identity in solid plaster, but could make it slide by changing colors. By choosing different colors I can run the gamut of the way I feel.” Therein he also touched the haunting theme in the developing self-image of a black woman, where the feature of color clouds all the rest in its importance in identity formation. Skin color inherently carries a complex social meaning for both observer and owner. Yet, what Segal has cogently depicted in his technique is the very separateness of person and color.
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Supplementary Reading
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© 1982 Plenum Press, New York
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Zimmerman, V.H. (1982). The Black Woman Growing Up. In: Nadelson, C.C., Notman, M.T. (eds) The Woman Patient. Women in Context: Development and Stresses. Springer, Boston, MA. https://doi.org/10.1007/978-1-4615-9242-6_4
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DOI: https://doi.org/10.1007/978-1-4615-9242-6_4
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