Skip to main content

From Rubble to the Korean Wave Hub: The Making of the New Digital Media City in Seoul

  • Chapter
  • First Online:
Re-Imagining Creative Cities in Twenty-First Century Asia
  • 824 Accesses

Abstract

Digital Media City (DMC) is an ambitious urban development project on a previous waste disposal site of Seoul. While it had been promoted as the world’s first high-tech complex in the early 2000s, it has now developed into the hub of the Korean Wave, concentrating South Korea’s key media and entertainment industries. This chapter explains how the rise of the Korean Wave and the government’s political and economic aspirations shaped the development of DMC. In particular, we focus on how the Korean Wave, which began as an intangible cultural product, has been translated into tangible urban formation of a planned creative cluster. Although DMC managed to cluster cultural-creative industries, we highlight that intrinsic values of culture are important to further support its creative urban environment.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Kim Do-nyun is one of the principal designers of the DMC (notably, the designer of the now famous Digital Media Street) and a Professor at Sung Kyun Kwan University in Seoul.

  2. 2.

    Instead of ‘creative class’, this chapter prefers to use the term ‘creative worker’ to refer to all those who work in the CCIs.

  3. 3.

    Revenue came not only from the products, but also from related commodities such as fashion, food, cosmetics, cosmetic surgery and cultural tourism.

  4. 4.

    The large Korean conglomerates and ‘chaebols’ are heavily connected in property speculation in the nation’s real estate markets (Sohn 2008). They operate major construction firms and reap profits from the state-financed reformation of the built environment (see Pirie 2008).

  5. 5.

    The construction of DMC began in November 2006.

References

  • CCTV SEARCH. 2014. ROK Cultural & Creative Industry Valued At 86 Bln USD in 2013. So.Cntv.Cn. http://so.cntv.cn/language/english/index.php?qtext=cultural+%26+creative+industry.

  • CreateHK. 2013. Creative City. Hong Kong: CreateHK.

    Google Scholar 

  • Choi, Hae-Ok. 2013. The Characteristics of Sociality Network Formation for Creative Milieu in M&E Cluster: The Case of Seoul Media City. Journal of Social Science 39 (2): 111–130.

    Google Scholar 

  • Evans, Graeme. 2009. From Cultural Quarters to Creative Clusters: Creative Spaces in the New City Economy. Stockholm, Institute of Urban History.

    Google Scholar 

  • Flew, Terry. 2010. Toward a Cultural Economic Geography of Creative Industries and Urban Development: Introduction to the Special Issue on Creative Industries and Urban Development. The Information Society 26 (2): 85–91.

    Article  Google Scholar 

  • Florida, Richard L. 2002. The Rise of the Creative Class. New York: Basic Books.

    Google Scholar 

  • Fukuyama, Francis. 1996. Trust. New York: Free Press.

    Google Scholar 

  • Ho, Kong Chong. 2009. The Neighbourhood in the Creative Economy: Policy, Practice and Place in Singapore. Urban Studies 46 (5–6): 1187–1201.

    Article  Google Scholar 

  • Hogarth, Hyun-Key Kim. 2013. The Korean Wave: An Asian Reaction to Western-Dominated Globalization. Perspectives On Global Development and Technology 12 (1–2): 135–151.

    Article  Google Scholar 

  • Hui, Desmond. 2007. The Creative Industries and Entrepreneurship in East and Southeast Asia. In Entrepreneurship in the Creative Industries: An International Perspective, ed. Colette Henry, 1st ed., 9–29. Cheltenham, UK: Edward Elgar.

    Google Scholar 

  • Jayne, Mark. 2005. Creative Industries: The Regional Dimension? Environment and Planning C: Government and Policy 23 (4): 537–556.

    Article  Google Scholar 

  • Kang, Hong-Bin. 2010. Planned Development of the ‘Creative Milieu’ and its Sustainability: Experiences from Seoul Digital Media City. Seoul Urban Research 11 (2): 259–267.

    Google Scholar 

  • Keane, Michael. 2009. Creative Industries in China: Four Perspectives on Social Transformation. International Journal of Cultural Policy 15 (4): 431–443.

    Article  Google Scholar 

  • Kim, Sui, ed. 2006. Hallyu-wa 21isegi munhwa-vision: Yonsama-eso munhwa chongchi-kkqji (The Korean Wave and the Cultural Vision of the 21st Century): From Mr Yon to Cultural Politics. Seoul: Chongdong Koul.

    Google Scholar 

  • Kong, Lily, and Justin O’Connor. 2010. Creative Economies, Creative Cities. Dordrecht, Netherlands: Springer.

    Google Scholar 

  • Korean Foundation for International Cultural Exchange (KOFICE). 2009. Hallyu, Asia-rul nomo segye-ro (The Korean Wave, Towards the World Beyond Asia). Seoul: KOFICE.

    Google Scholar 

  • Kwon, Seung-Ho, and Joseph Kim. 2013. The Cultural Industry Policies of the Korean Government and The Korean Wave. International Journal of Cultural Policy 20 (4): 422–439.

    Article  Google Scholar 

  • Landry, Charles. 2000. The Creative City. London: Earthscan Publications.

    Google Scholar 

  • Lee, Yong-Sook, and Eun-Jung Hwang. 2012. Global Urban Frontiers Through Policy Transfer? Unpacking Seoul’s Creative City Programmes. Urban Studies 49 (13): 2817–2837.

    Article  Google Scholar 

  • Miles, Steven, and Ronan Paddison. 2005. Introduction: The Rise and Rise of Culture-Led Urban Regeneration. Urban Studies 42 (5): 833–839.

    Article  Google Scholar 

  • Ministry of Culture and Tourism (MCT). 2002. Munhwa Saneop Baekseo (White Paper on Culture Industry). Seoul: MCT.

    Google Scholar 

  • Mommaas, Hans. 2009. Spaces of Culture and Economy: Mapping the Cultural-Creative Cluster Landscape. In Creative Economies, Creative Cities, ed. Lily Kong and Justin O’Connor, 45–59. Dordrecht, Netherlands: Springer.

    Chapter  Google Scholar 

  • Montgomery, John. 2008. The New Wealth of Cities. Aldershot: Ashgate.

    Google Scholar 

  • Oh, You-Jeong. 2014. Korean Television Dramas and the Political Economy of City Promotion. International Journal of Urban and Regional Research 38 (6): 2141–2155.

    Article  Google Scholar 

  • Oldenburg, Ray. 1989. The Great Good Place. Cambridge, MA: Da Capo Press.

    Google Scholar 

  • Pang, Chong-Bae, Un-Gyong Han, et al. 2007. Hallyu-wa Munhwa Communication (The Korean Wave and Cultured Communications). Seoul: Communication Books.

    Google Scholar 

  • Peck, Jamie. 2005. Struggling with The Creative Class. International Journal of Urban and Regional Research 29 (4): 740–770.

    Article  Google Scholar 

  • Perera, Nihal, and Wing-Shing Tang. 2013. Transforming Asian Cities: Intellectual Impasse, Asianizing Space, and Emerging Translocalities. New York: Routledge.

    Google Scholar 

  • Pirie, Ian. 2008. The Korean Developmental State. London: Routledge.

    Google Scholar 

  • Porter, Michael E. 1998. The Competitive Advantage of Nations. New York: The Free Press.

    Book  Google Scholar 

  • Pratt, Andy C. 2008. Creative Cities: The Cultural Industries and The Creative Class. Geografiska Annaler: Series B, Human Geography 90 (2): 107–117.

    Article  Google Scholar 

  • Sasaki, Masayuki. 2010. Urban Regeneration Through Cultural Creativity and Social Inclusion: Rethinking Creative City Theory Through a Japanese Case Study. Cities 27: S3–S9.

    Article  Google Scholar 

  • SBS CNBC. 2014. Sangam DMC, yuryungmaeuleseo chumdandosiro ‘hwangoltaltae’ (Sangam DMC, from Ghost Town to High-tech City). Sbscnbc.sbs.co.kr. http://sbscnbc.sbs.co.kr/read.jsp?pmArticleId=10000675023.

  • Scott, Allen J. 2006. Creative Cities: Conceptual Issues and Policy Questions. Journal of Urban Affairs 28 (1): 1–17.

    Article  Google Scholar 

  • Shin, Sung-Hui. 2006. Where and How is Creativity Located?: An Empirical Study on High 3T Ratio Cities in the U.S. and Distribution of Creative Class in Korea. Journal of Space and Sociology 25: 80–98.

    Google Scholar 

  • Sohn, N. 2008. Real Estate Class Society. Seoul: Humanitas (in Korean).

    Google Scholar 

  • Song, Jun-Min. 2016. Arts and Cultural/Creative Activities as Creative Placemaking Strategy in a Newly Built Urban District: The Case of Seoul Digital Media City (DMC). The Journal of Culture Contents null (7): 41–80.

    Article  Google Scholar 

  • The Media Valley Corporation, Accenture, Hillwood Strategic Services. 2001. DMC Report. unpublished.

    Google Scholar 

  • Visser, Dean. 2002. Pacific Currents: ‘Kim Chic’ They Call it, as South Korea is All the Rage. Seattlepi. http://www.seattlepi.com/national/article/Pacific-Currents-Kim-chic-they-call-it-as-1079202.php.

  • Yu, Sang-Chol, Hye-Ri An, et al. 2005. Hallyu-uipimil (A Secret of the Korean Wave). Seoul: Saenggakui Namu.

    Google Scholar 

  • Zhong, Sheng. 2011. By Nature or by Nurture: The Formation of New Economy Spaces in Shanghai. Asian Geographer 28 (1): 33–49. https://doi.org/10.1080/10225706.2011.577978.

    Article  Google Scholar 

Interviews

  • Ahn, J. “DMC as a Creative Milieu”. Interview by Junmin Song. In person. Nonhyun-dong, Seoul, 05, 2014.

    Google Scholar 

  • Byeon, C. “What is the Creative City.” Interview by Junmin Song. In person. Neungdong-ro, Seoul, 04, 2014.

    Google Scholar 

  • Kim, D. “How to Plan DMC.” Interview by Junmin Song. In person. Suwon, Gyungi-do, 04, 2014.

    Google Scholar 

  • Lee, D. “Informal Interview during the Field Work Period.” Interview by Junmin Song. DMC, Seoul, 09, 2011.

    Google Scholar 

  • Park, S. “Management of DMC.” Interview by Junmin Song. In person. DMC, Seoul. 04, 2014.

    Google Scholar 

  • Song, J. “Creative Class in DMC.” Interview by Junmin Song. In person. Sungsu-dong, Seoul, 04, 2014.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Jun-Min Song .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2020 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Song, JM., Joo, YM. (2020). From Rubble to the Korean Wave Hub: The Making of the New Digital Media City in Seoul. In: Gu, X., Lim, M.K., O’Connor, J. (eds) Re-Imagining Creative Cities in Twenty-First Century Asia. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-46291-8_10

Download citation

Publish with us

Policies and ethics