Abstract
Science fiction (SF) and futurism have a long history. While futurists have at times looked to SF to predict or prepare for the future, SF in the twenty-first century is increasingly called upon to make, revitalize, or alter the future. Collaborations such as Arizona State University’s Project Hieroglyph generate incantatory fictions that are meant to produce effects in the real world. Incantatory fictions embed different assumptions about the relationship between science, fiction, and society in their formal structure and in their conditions of production and reception. While Neal Stephenson’s nostalgic retrofuturism suggests a direct model of incantation whereby the author provides a technological blueprint, Vandana Singh grapples with a theory of techno-social change emerging from myriad actors, suited to the pluralism of contemporary SF.
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My thanks to Ed Finn and Joey Eschrich for helpful feedback on a draft of this chapter.
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Wilbanks, R. (2020). Incantatory Fictions and Golden Age Nostalgia: Futurist Practices in Contemporary Science Fiction. In: Ahuja, N., et al. The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Palgrave Handbooks of Literature and Science. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-48244-2_13
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