Skip to main content

Communication Design for Social Engagement. Micro TV and the Integration of Branding and Storytelling into Participatory Processes

  • Chapter
  • First Online:
Electric Vehicle Sharing Services for Smarter Cities

Part of the book series: Research for Development ((REDE))

Abstract

The Green Move project promoted an innovative interdisciplinary research approach. Imagis Lab research team actively contributed integrating tools and processes from communication design and participatory video. Within the Experimentation actions for experimenting green mobility services and vehicles, a Micro Web TV was designed and produced in collaboration with the community of Villaggio Scarsellini condominium in order to foster users’ engagement. Scarsellini TV. Vicini più vicini was launched in 2013 and produced five different formats for documenting the community’s everyday life, providing video-tutorials explaining how the service works and how you can get the best from the vehicles and the service, the best practices within the condominium itself to be communicated to the rest of the community in order to improve people’s engagement and making them suggesting further possible uses. The paper describes on one hand the design approach to communication: the first part introduces movie design as communication strategies based on audiovisual storytelling and positions this kind of design approach within the other disciplines involved on the Green Move project. Then, the second part describes the specific contribution to the Experimentation research activities and the outputs produced (communication and TV formats), and analyses data from the surveys to the users during the experimentation and interviews to the community after the micro TV experience: was Scarsellini TV a socialization action? Did it help to foster the integration of the service into the condominium daily life? Did the user/community get new visions about possible alternative scenarios of sustainable mobility? And finally: did the implemented communication instruments contribute to foster the social innovation and to raise the consciousness of people involved?

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    By effective communication we mean a communication process capable of transmitting information using logical and analogue languages with a precise communication goal and clear target audiences. For this reason, effective communication requires a strategic framework in which to define all its elements in a coherent way.

  2. 2.

    In 1995 this definition appeared on the web in the now famous Cluetrain Manifesto drawn up by a group of researchers including IBM's consultant Rick Levine. The manifesto sets out 95 items on paradigm shifts between the old and new economies.

  3. 3.

    The invention of cinema by the Lumiere brothers dates to 1895 when the first screening of L'arrivée d'un train en gare de la Ciotat took place in Paris. It is said that audiences were frightened by the images they saw moving on the screen and ran out of the café in the belief that the train might come off the screen into the café.

  4. 4.

    Cammina Milano (2009–2010) was part of a three-year project entitled Immagina Milano (Imagine Milan), an action research and educational plan, which generated documentaries, video-scenarios and commercials, aimed at promoting good urban practices in various city districts. Over the years a range of themes were developed (sustainable mobility, revitalization of the suburbs, multi-culturalness, historic memories, green city, smart city and much more) by means of projects linked to various areas of the city of Milan.

  5. 5.

    Plug Social TV has also promoted additional Facebook pages and Instagram and Twitter profiles, which develop specific story-lines dedicated to specific groups of users.

  6. 6.

    Research team: Marisa Galbiati, Francesca Piredda (co-ordination). Design and production: Lab. Immagine—Politecnico di Milano (Dario Sigona, head; Gabriele Carbone; Gabriele Mellera; Giancarlo Piccinno; Federico Zotti). At that time, Gabriele Mellera and Giancarlo Piccinno were students on the point of graduating (Politecnico di Milano, School of Design, Master's degree in Communication Design). In particular, the design and the production processes of the condominium TV involved: Giancarlo Piccinno as designer, author and video maker. He worked together with two young guys living in Villaggio Scarsellini: Riccardo, as video operator and Leonardo, who took part periodically in the shooting activities. Laboratorio Immagine supplied the shooting devices and technical support in relation to Green Move contents alone. Francesca Piredda acted as project supervisor, researcher and Piccinno's thesis supervisor. Liat Rogel who introduced the team to the residents played a crucial role.

References

  • Anzoise V, Piredda F, Venditti S (2015) “Design narratives and social narratives for community empowerment”. In a matter of design. Making society through science and technology, 5th STS Italia Conference—Politecnico di Milano, Milan

    Google Scholar 

  • Bonsignore P, Sassoon J (2014) Branded content. La nuova frontiera della comunicazione d’impresa. Milano, FrancoAngeli

    Google Scholar 

  • Bucher T (2015) “Networking, or what the social means on social media.” In Social Media + Society, April-June 2015: pp 1–2, Sage

    Google Scholar 

  • Ciancia M (2016) Transmedia design framework. Un approccio design-oriented alla transmedia practice. FrancoAngeli, Milano

    Google Scholar 

  • Ciancia M, Piredda F, Venditti S (2014) “Shaping and sharing imagination: designers and the transformative power of stories.”. In: Moura Hudson, Sternberg Ricardo, Cunha Regina, Queiroz Cecília, Zeilinger Martin (eds) Proceedings of the interactive narratives, new media & social engagement international conference. Canada, Toronto

    Google Scholar 

  • Colletti G (2010) TV fai-da-Web. Milano, Gruppo 24 Ore

    Google Scholar 

  • Collizzolli S (2010) Il Video partecipativo dalla comunicazione sociale alla socializzazione della comunicazione. PhD thesis, dipartimento di sociologia. Padova, Università degli Studi di Padova

    Google Scholar 

  • Deleuze G (1984) L’immagine-movimento. Cinema 1, tr. Jean-Paul Manganaro, Milano

    Google Scholar 

  • Fabris G (2010) Il nuovo consumatore: verso il postmoderno. FrancoAngeli, Milano

    Google Scholar 

  • Galbiati M (1989) Proiezioni urbane. La realtà dell’immaginario. Milano, Tranchida Editori

    Google Scholar 

  • Galbiati M (2005) Movie design. Scenari progettuali per il design della comunicazione audiovisiva e multimediale. Edizioni POLI.design, Milano

    Google Scholar 

  • Gadotti G, Bernocchi R (2010) La pubblicità sociale. Maneggiare con cura. Carocci, Roma

    Google Scholar 

  • Galbiati M, Piredda F (eds) (2010) Design per la Web TV. Teorie e tecniche per la televisione digitale. FrancoAngeli, Milano

    Google Scholar 

  • Galbiati M, Piredda F (2012) Visioni urbane, Narrazioni per il design della città sostenibile. FrancoAngeli, Milano

    Google Scholar 

  • Galbiati M, Piredda F, Mattana W, Bertolotti E (2010) “Envisioning the City: A Design-Oriented Communication Process for a Sustainable Urban Transformation”. ESA research network sociology of culture midterm conference: Culture and the making of worlds, October 2010. Available at SSRN. http://ssrn.com/abstract=1692118

  • Koskinen I (2009) “Throwing the Baby Out or Taking Practice Seriously”, In: Nimkulrat N, O’Riley T (ed) Reflections and connections: On the relationship between creative production and academic research. Helsinki, University of Art and Design

    Google Scholar 

  • Manovich L (2002) Il linguaggio dei nuovi media. Olivares, Milano

    Google Scholar 

  • Matrone M, Pinardi D (2013) Narrare: narrativa d’impresa. Per essere e essere visti. FrancoAngeli, Milano  

    Google Scholar 

  • Mellera G (2013) Valorizzare il progetto e la ricerca attraverso il gruppo. Il caso Green Move, Master Thesis in Communication Design. Francesca Piredda, School of Design Politecnico di Milano

    Google Scholar 

  • Nimkulrat N, O’Riley T (2009) Reflections and connections: on the relationship between creative production and academic research. University of Art and Design, Helsinki

    Google Scholar 

  • Pajè M, Branzaglia C (2009) Video sign: i’immagine coordinata delle televisioni nel mondo. RTI-Reti Televisive It, Milano

    Google Scholar 

  • Piccinno G (2014) Micro televisioni per micro comunità urbane. Il progetto Green Move e il caso Scarsellini TV, Master Thesis in Communication Design. Francesca Piredda, School of Design Politecnico di Milano

    Google Scholar 

  • Piredda F (2008) Design della comunicazione audiovisiva. Un approccio strategico per la televisione debole. FrancoAngeli, Milano

    Google Scholar 

  • Piredda F, Ciancia M, Bertolotti E (2013) Animation as Boundary Object. Promoting Cultural Changes through Audiovisual Design, In: N Ceccarelli (ed) 2CO Communicating Complexity—2013 Conference proceedings—Alghero/Italy/25th-26th October 2013. Edizioni Nuova Cultura, pp 234–243

    Google Scholar 

  • Piredda F, Ciancia M, Venditti S (2015) “Social Media Fiction. Designing Stories for Com- munity Engagement”. In: Schoenau-Fog H, Bruni LE, Louchart S, Baceviciute S (ed) 8th International Conference on Interactive Digital Storytelling, ICIDS 2015 Copenaghen. Denmark, Springer

    Google Scholar 

  • Puggelli F, Sobrero R (2010) La comunicazione sociale. Carocci, Roma

    Google Scholar 

  • Santambrogio A (2016) Roivolution. Gestire la multicanalità e incrementare il business con l’ecosistema di comunicazione. Milano, FrancoAngeli

    Google Scholar 

  • Sclavi M (2003) Arte di Ascoltare e Mondi Possibili. Come si esce dalle cornici di cui siamo parte. Bruno Mondadori, Milano

    Google Scholar 

  • Testa AM (2000) Farsi capire. Rizzoli, Milano

    Google Scholar 

  • Volli U (1994) Il libro della comunicazione. Il Saggiatore, Milano

    Google Scholar 

  • White SA (2003) Participatory Video, images that transform and empower. London, Sage

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Francesca Piredda .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 Springer International Publishing AG

About this chapter

Cite this chapter

Galbiati, M.L., Piredda, F. (2017). Communication Design for Social Engagement. Micro TV and the Integration of Branding and Storytelling into Participatory Processes. In: Bignami, D., Colorni Vitale, A., Lué, A., Nocerino, R., Rossi, M., Savaresi, S. (eds) Electric Vehicle Sharing Services for Smarter Cities. Research for Development. Springer, Cham. https://doi.org/10.1007/978-3-319-61964-4_7

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-61964-4_7

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-61963-7

  • Online ISBN: 978-3-319-61964-4

  • eBook Packages: EnergyEnergy (R0)

Publish with us

Policies and ethics