Abstract
A well preserved work, probably done in Rembrandt’s workshop shortly after 1640 and possibly by Carel Fabritius.
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References
Gerson 290.
Bredius 458.
[H. Miles], Dutch and Flemish, Netherlandish and German paintings, Glasgow Art Gallery and Museum 1961, p. 109.
Bauch 561.
Schwartz 1984, no. 293.
Tümpel 1986, cat. no. 125.
HdG 971.
J.A. Emmens, ‘Reputatie en betekenis van Rembrandt’s “Geslachte os”’, lecture given at the annual meeting of the Nederlandse Vereniging van Kunsthistorici in Leiden on 17 December 1966; published in abridged form in: Museumjournaal 12 (1967), p. 81, and in: J.A. Emmens, Kunsthistorische opstellen II, Amsterdam 1981 (Collected works, vol.4), pp. 133–138.
J.-E. Müller, Rembrandt, New York 1969, p. 173.
E. de Jongh in: exhibn. cat. Rembrandt en zijn tijd, Brussels 1971, p. 170; cf. exhibn. cat. Tot lering en vermaak, Amsterdam 1976, no. 24.
K.M. Craig, ‘Rembrandt and The slaughtered ox’, Journal of the Warburg and Courtauld Institutes 46 (1983), pp. 235–239.
[M.] Winner in: Neue Beiträge zur Rembrandt-Forschung, Berlin 1973, pp. 135–136 (discussion).
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© 1989 Stichting Foundation Rembrandt Research Project
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Bruyn, J., Haak, B., Levie, S.H., Van Thiel, P.J.J., Van De Wetering, E. (1989). A slaughtered ox. In: A Corpus of Rembrandt Paintings. Stichting Foundation Rembrandt Research Project, vol 3. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-0811-6_91
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DOI: https://doi.org/10.1007/978-94-009-0811-6_91
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