The first steps of analysis of the original conversations led me to identify a number of discursive objects which had some bearing on the research. The four most relevant and recurrent were:
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music
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the consumer
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the record company
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technology
Each of these four discursive objects was constructed in a number of different ways which were indicative of alternative, sometimes competing, views, not only of the objects themselves, but also indicative of broader views of music as a cultural industry. Figure 8.1 summarizes the alternative constructs:
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© 2014 Jonathan Wheeldon
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Wheeldon, J. (2014). Identification of Key Constructs. In: Patrons, Curators, Inventors and Thieves. Palgrave Macmillan, London. https://doi.org/10.1057/9780230306677_9
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DOI: https://doi.org/10.1057/9780230306677_9
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