Skip to main content
  • 50 Accesses

Abstract

‘The Sire de Malétroit’s Door’, one of Stevenson’s earliest short stories, was published in 1878 and gives the first substantial indication of his interest in the symbolic potential of doors (stairs come later). In the story, the symbolism develops surprising ramifications: surprising, at any rate, given that Freud was at that time still an unpublished young man of twenty-two. The door has, of course, as much to do with domestic architecture as the china in The Country Wife has to do with household ornaments, Sir Willoughby Patterne’s leg with walking or Mme Bovary’s carriage-ride with sight-seeing in Rouen. So laden with sexual significance is it, in fact, that it’s a wonder it stays on its hinges.

it will strike me myself as strange that the case histories I write should read like short stories.

Sigmund Freud

The double stands at the start of that cultivation of uncertainty by which the literature of the modern world has come to be distinguished.

Karl Miller

Today two things seem modern: the analysis of life and the flight from life… One practises anatomy on the inner life of one’s mind, or one dreams.

Hugo von Hofmannsthal

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Patricia Waugh, Metafiction: The Theory and Practice of Self-Conscious Fiction (1984), p. 6.

    Google Scholar 

  2. Quoted in Cyril Pearl, The Girl with the Swansdown Seat (New York, 1980), p. 191.

    Google Scholar 

  3. Walter Benjamin, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism trans. Harry Zohn (1985), p. 171.

    Google Scholar 

  4. Dennis Brown, The Modernist Self in Twentieth Century English Literature (1989), pp. 1, 5.

    Google Scholar 

  5. Elaine Showalter, Sexual Anarchy: Gender and Culture at the Fin de Siècle (1992), p. 112.

    Google Scholar 

Download references

Authors

Copyright information

© 1996 Alan Sandison

About this chapter

Cite this chapter

Sandison, A. (1996). Jekyll and Hyde: The Story of the Door. In: Robert Louis Stevenson and the Appearance of Modernism. Palgrave Macmillan, London. https://doi.org/10.1057/9780230376397_7

Download citation

Publish with us

Policies and ethics