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Religion and Politics: Wilde’s Social Philosophy

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The Faiths of Oscar Wilde
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Abstract

In previous chapters I have traced Wilde’s anti-mimetic aesthetic and his investment in non-realist traditions. This investment was manifested in a refusal to allow the literal and empirical to overcome the imaginative and the lyrical in his writings. I have shown that Wilde derived much from his parents’ folkloric and literary work, and also from their political commitment to Irish nationalism. It seems important at this point to move to a delineation of the precise nature of Wilde’s own relationship to what we can broadly term ‘political theory’ and investigate what connection this relationship has with the Irish nationalist background I have established as crucial for understanding his literary work.

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Notes

  1. Percival W. H. Almy, ‘New Views of Mr Oscar Wilde’, Theatre 23 (March 1894), 124, quoted in Mikhail, Oscar Wilde, vol. 1, 232.

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  6. See also, David Rose, ‘Oscar Wilde: Socialite or Socialist?’, The Importance of Reinventing Oscar: Versions of Wilde during the Last 100 Years, eds Ewe Boker, Richard Corballis and Julie Hibbard (Amsterdam: Rodopi, 2002), 35–55.

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  27. For this encyclical and Catholic social policy in general, see Donal Dorr, Option for the Poor: a Hundred Years of Catholic Social Teaching (Dublin: Gill and Macmillan, 1983).

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  28. Oscar Wilde, ‘Review of Mr Froude’s Blue Book (The Two Chiefs of Dunboy: or An Irish Romance of the Last Century)’, Pall Mall Gazette 13 April 1889, in Collected Works, vol. XIII, 476–82.

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  30. For this lecture, see Kevin O’ Brien, ‘ “The House Beautiful”: a Reconstruction of Oscar Wilde’s American Lecture’, Victorian Studies 17 (1974), 395–418.

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© 2005 Jarlath Killeen

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Killeen, J. (2005). Religion and Politics: Wilde’s Social Philosophy. In: The Faiths of Oscar Wilde. Palgrave Studies in Nineteenth-Century Writing and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9780230503557_5

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