Abstract
In 1997, Suzanne Raitt and Trudi Tate raised the question as to ‘why gender has become a critical orthodoxy; why critics rarely feel the need to justify an analysis of gender, especially in writing by women, to the exclusion of many other issues’; and they go on to warn that focussing exclusively on gender can ‘produce a curiously depoliticised reading of our culture, its history, and its writing’. Janet Montefiore had also urged in 1996 that analysis based primarily on gender tended to ignore other areas of oppression and subordination, as, for instance, social class, race, age, religion.1 I am in complete agreement with these necessary reminders yet, as Luce Irigaray has said, sexual difference is ‘situated at the junction of nature and culture’, both conditioning language and conditioned by it;2 furthermore, it is also crucial to acknowledge that, as Catherine Hall has pointed out, ‘masculinities and femininities are … historically specific and we can trace the changes over time in the definitions which have been in play and in power’.3 Moreover, it is worth bearing in mind Marianne van der Wijngaard’s point, that traits labelled as masculine or feminine are also culturally and historically specific, even when so assigned by scientists; the laboratory is also a product of its era.4
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Notes
S. Raitt and T. Tate, eds, Women’s Fiction and the Great War (Oxford and New York: Clarendon Press, 1996), p. 1; and J. Montefiore, Men and Women Writers of the 1930s pp. 1–2.
K. Clatterbaugh, Contemporary Perspectives on Masculinity: Men, Women and Politics in Modern Society ( Boulder: Westview Press, 1990 ), pp. 159–60.
H. Simpson, Saraband for Dead Lovers ( London and Toronto: William Heinemann, 1935 ).
K. Burdekin, The End of This Day’s Business ( New York: The Feminist Press at the City University of New York, 1989 ).
R. Aldington, Death of a Hero: a Novel ( London: Chatto & Windus, 1929 ), p. 258.
G. Plain, Women’s Fiction of the Second World War: Gender, Power and Resistance ( Edinburgh: Edinburgh University Press, 1996 ).
L. McNay, Foucault and Feminism ( Oxford: Polity Press, 1992 ), p. 197.
N. Dunn, Up the Junction ( London: MacGibbon & Kee, 1963 ).
S. Jeffreys, Anti-climax: a Feminist Perspective on the Sexual Revolution ( London: Women’s Press, 1990 ), p. 24.
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© 2001 Elizabeth Maslen
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Maslen, E. (2001). Men, Women, Sex and Gender. In: Political and Social Issues in British Women’s Fiction, 1928–1968. Palgrave Macmillan, London. https://doi.org/10.1057/9780230511927_5
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DOI: https://doi.org/10.1057/9780230511927_5
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