Skip to main content

Iconic Rituals: Towards a Social Theory of Encountering Images

  • Chapter
Iconic Power

Part of the book series: Cultural Sociology ((CULTSOC))

Abstract

Images are fellow travelers in time: they are permanent residents in our lives. We look at images in our homes, we see them on the surfaces of urban environments, and we encounter them in old and new media spheres. When we look at images, we “meet” them and engage in a complex game of distance and closeness. We search for familiarity and for difference; we enjoy the meeting or wish to forget it immediately. We try to understand the image by interpretation, but the encounter is far from being only rational: it also has a mysterious and unpredictable chemistry. Similar to looking at people, we frequently look at images, and on a very few occasions, we fall in love with them.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 29.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 37.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Alexander, J. C. 2003. The Meanings of Social Life. New York: Oxford University Press.

    Google Scholar 

  • —. 2006. “Cultural Pragmatics: Social Performance Between Ritual and Strategy.” In Social Performance: Symbolic Action, Cultural Pragmatics, and Ritual, edited by J. C. Alexander, B. Giesen, and J. L. Mast, 29–91. Cambridge, UK: Cambridge University Press.

    Chapter  Google Scholar 

  • Appadurai, A. 1986. The Social Life of Things: Commodities in a Cultural Perspective. Cambridge, UK: Cambridge University Press.

    Book  Google Scholar 

  • Barthes, R. 1981. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang.

    Google Scholar 

  • Carey, J. W. 1992. Communication as Culture: Essays on Media and Society. New York: Routledge.

    Google Scholar 

  • Crary, J. 1992. Techniques of the Observer: On Vision and Modernity in the 19th Century. Cambridge, MA: MIT Press.

    Google Scholar 

  • —. 2001. Suspensions of Perception: Attention, Spectacle and Modern Culture. Cambridge, MA: MIT Press.

    Google Scholar 

  • —. 2002. “Géricault, the Panorama and Sites of Reality in the Early Nineteenth Century.” Grey Room 9: 5–25.

    Article  Google Scholar 

  • Didi-Huberman, G. 2005. Confronting Images: Questioning the Ends of a Certain History of Art. University Park, PA: Pennsylvania State University Press.

    Google Scholar 

  • Flanagen, M., D. C. Howe, and H. Nissenbaum. 2008. “Embodying Values in Technology: Theory and Practice.” In Information Technology and Moral Philosophy, edited by J. van den Hoven and J Weckert. 322–53. Cambridge: Cambridge University Press.

    Google Scholar 

  • Gandhi, M. K. 2003. Hind Swaraj and Other Writings, edited by A. Parel. Cambridge: Cambridge University Press.

    Google Scholar 

  • Goffman, E. 1967. Interaction Ritual: Essays on Face-To-Face Behavior. New York: Pantheon Books.

    Google Scholar 

  • Hariman, R., and J. L. Lucaites. 2007. No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press.

    Google Scholar 

  • Holly, M. A. 2007. “Interventions: The Melancholy Art.” The Art Bulletin 89: 7–18.

    Article  Google Scholar 

  • Johnston, I. 2009. “Why 2009 Is No Time to Be Iconic.” The Independent, January 2.

    Google Scholar 

  • Junod, T. 2003. “The Falling Man.” Esquire, September, http://www.esquire.com/features/ESQ0903-SEP_FALLINGMAN.

  • Kállai, E. 1989. “Painting and Photography” [excerpts with responses from Willi Baumeister, Adolf Behne, and Laszlo Moholy-Nagy, 1927]. In Photography in the Modern Era: European Documents and Critical Writings, 1913–1940, edited by C. Phillips, 94–104. New York: The Metropolitan Museum of Art / Aperture.

    Google Scholar 

  • Kimmelman, M. 2011. “Auschwitz Shifts From Memorializing to Teaching,” New York Times, February 18, http://www.nytimes.com/2011/02/19/arts/19auschwitz.html?_r=2.

  • Latour, B. 1993. We Have Never Been Modern. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • —. 2004. “Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern.” In Things, edited by B. Brown, 151–74. Chicago: University of Chicago Press Journals.

    Google Scholar 

  • Lefebvre, H. 1991. The Production of Space. Translated by D. Nicholson-Smith. Oxford: Blackwell.

    Google Scholar 

  • Meades, J. 2009. “Enough Already.” Weekend Australian, April 18.

    Google Scholar 

  • Mitchell, W. J. T. 2008. “Cloning Terror: The War of Images 2001–04.” In The Life and Death of Images, edited by D. Costello and D. D. Willsdon, 179–208. Ithaca, NY: Cornell University Press.

    Google Scholar 

  • Moxey, K. 2008. “Visual Studies and the Iconic Turn.” Journal of Visual Culture 7: 131–46.

    Article  Google Scholar 

  • Murray, S. 2008. “Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics.” Journal of Visual Culture 7: 147–63.

    Article  Google Scholar 

  • Schivelbusch, W. 1987. The Railway Journey: The Industrialization and Perception of Time and Space. Berkeley: University of California Press.

    Google Scholar 

  • Schudson, M. 1978. Discovering the News: A Social History of American Newspapers. New York: Basic Books.

    Google Scholar 

  • —. 2008. Why Democracies Need an Unlovable Press. Cambridge/Malden: Polity Press.

    Google Scholar 

  • Sturken, M. 2007. Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero. Durham; London: Duke University Press.

    Book  Google Scholar 

  • Sturken, M., and L. Cartwright. 2001. Practices of Looking: An Introduction to Visual Culture. Oxford; New York: Oxford University Press.

    Google Scholar 

  • Tagg, J. 2003. “Melancholy Realism: Walker Evans’s Resistance to Meaning.” Narrative 11: 3–77.

    Article  Google Scholar 

  • Zelizer, B. 1998. Remembering to Forget: Holocaust Memory Through the Camera’s Eye. Chicago; London: University of Chicago Press.

    Google Scholar 

Download references

Authors

Editor information

Jeffrey C. Alexander Dominik Bartmański Bernhard Giesen

Copyright information

© 2012 Jeffrey C. Alexander, Dominik Bartmański, and Bernhard Giesen

About this chapter

Cite this chapter

Sonnevend, J. (2012). Iconic Rituals: Towards a Social Theory of Encountering Images. In: Alexander, J.C., Bartmański, D., Giesen, B. (eds) Iconic Power. Cultural Sociology. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137012869_14

Download citation

Publish with us

Policies and ethics