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The Shadow of a Gunman

A Tragedy in Two Acts

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Seven Plays by Sean O’Casey
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Abstract

A return room* in a tenement house in Hilljay Square. * At the back two large windows looking out into the yard; they occupy practically the whole of the back wall-space. Between the windows is a cupboard, on the top of which is a pile of books. The doors are open, and on these are hanging a number of collars and ties. Running parallel with the windows is a stretcher bed; another runs at right angles along the wall at right. At the head of this bed is a door leading to the rest of the house. The wall on the left runs diagonally, so that the fireplace —which is in the centre —is plainly visible. On the mantelshelf to the right is a statue of the Virgin, to the left a statue of the Sacred Heart, and in the centre a crucifix. Around the fireplace are a few common cooking utensils. In the centre of the room is a table, on which are a typewriter, a candle and candlestick, a bunch of wild flowers in a vase, writing materials and a number of books. There are two chairs, one near the fireplace and one at the table. The aspect of the place is one of absolute untidiness, engendered on the one hand by the congenital slovenliness of SEUMAS SHIELDS, and on the other by the temperament of DONAL DAVOREN, making it appear impossible to effect an improvement in such a place.

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© 1985 Ronald Ayling

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Ayling, R. (1985). The Shadow of a Gunman. In: Ayling, R. (eds) Seven Plays by Sean O’Casey. Palgrave, London. https://doi.org/10.1007/978-1-349-17977-0_1

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