Abstract
White America in developing a self-concept based on Reason and Power found it necessary to impose mental boundaries which consigned other cultures to impotence and irrationality. This cognitive map, which became a way of ordering geo-political reality, was shaped by imaginative and ultimately political constraints which marginalized other cultures. Haiti had dearly become by the early twentieth century one of the victims of the shaping force of this discourse. Haiti had been identified as deviant and banished to the cultural periphery. The perception of Haiti in reductive, ideologically determined terms had inexorably led to political attitudes of exclusion, paternalism and occupation.
To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me —
That is my dream!
Langston Hughes
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Nathan Huggins, Harlem Renaissance (New York: Oxford University Press, 1973) p. 91.
Paul Morand, Hiver Carribe (Paris: Flammarion, 1929) pp. 116–17.
Tohn Matheus in Opportunity (Oct. 1927) p. 303.
Claude McKay, A long Way from Home (New York: Arno Press, 1969) p. 277.
Mercer Cook, ‘Some Literary Contacts: African, West Indian, Afro-American’ in The Black Writer in Africa and the Americans (Los Angeles: Hennesey and Ingalls, 1973) pp. 120–1.
John Durham, Diane, Priestess of Haiti (Philadelphia: Lippincott, 1902) p. 896.
W. E. B. Dubois, Correspondence 1877–1934 (Amherst: University of Massachusetts Press, 1973) pp. 212–13. Many of the incidents of the 1930s are listed in Michael Talley’s M.A. thesis The Relationship between American Negroes and Haitians (Howard University, 1970).
J. W. Johnson, Along This Way (orig. edn 1933) (New York: Viking, 1961) p. 344.
J. W. Johnson, ‘The Truth about Haiti’ The Crisis, vol. 20, no. 5 (Sept. 1920) p. 224.
Cf. Patrick Bellegarde-Smith, In the Shadow of Powers (New Jersey: Humanities Press, 1985) pp. 72–3.
L. Hughes, ‘White Shadows in a Black Land’, The Crisis, vol. 41, no. 5 (May 1932) p. 157.
L. Hughes, I Wonder as I Wander (New York: Rinehart & Co., 1956) p. 27.
C. McKay, Home to Harlem (New York: Cardinal edn, 1965) p. 145.
A. Locke, The New Negro (orig. edn 1925) (New York: Arno Press, 1968) p. 51.
C. McKay, A Long Way From Home (New York: Arno Press, 1969) p. 313.
A Fauset, ‘Jumby’ in Ebony and Topaz (New York: National Urban League, 1927) p. 15.
J. Matheus, ‘Ti Yette’ (1929) in Plays and Pagents from the Life of the Negro (New York: Core Collection Books). In 1949 Matheus again celebrated Haitian folk culture in his opera Ouanga.
A. Bontemps, Drums at Dusk (New York: Macmillan, 1939) p. 205.
R. Hemenway, Zora Neale Hurston (Urbana: University of Illinois Press, 1977) p. 249.
Z. Hurston, Tell My Horse (Berkeley: Turtle Island Foundation, 1981) p. 93.
M. Fabre, La Rive Noire (Paris: Lieu Commun. 1985) p. 190.
W. B. Williams, La Relève: Focal Point of Haitian Literature, M.A. Thesis (Washington: Howard University, 1950) p. 54.
M. Cassius, Viejo (Port-au-Prince: La Presse, 1935) p. 14.
See J. Jahn, Neo-African Literature (New York: Grove Press, 1969) p. 274, and
N. Garret, The Renaissance of Haitian Poetry (Paris: Présence Africaine, 1963) pp. 73–85.
The originality of Haitian indigenism is the subject of Michel Fabre’s ‘La Revue Indigène et le Mouvement Nouveau Noir’, Revue de Littérature Comparée, no. 1 (1977) pp. 30–9.
L. Laleau, La Flèche au coeur, ed. Henry Parville (Paris, 1926) pp. 23–4.
Carl Brouard, Pages Retrouvées (ed. Panorama) (Port-au-Prince, 1963) pp. 16–36.
R. Piquion, Lin chant nouveau (Port-au-Prince: Imp de l’Etat, 1940) p. 74.
R. Gaillard, ‘Langston Hughes, Notre Ami’, Le Nouvelliste (26 July 1967).
See Carolyn Fowler’s discussion of Roumain’s stay in New York in A Knot in the Thread (Washington: Howard University Press, 1980) pp. 206–10.
Author information
Authors and Affiliations
Copyright information
© 1988 J. Michael Dash
About this chapter
Cite this chapter
Dash, J.M. (1988). Dreaming the Same Dream: Harlem, Haiti and Racial Solidarity. In: Haiti and the United States. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-19267-0_3
Download citation
DOI: https://doi.org/10.1007/978-1-349-19267-0_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-19269-4
Online ISBN: 978-1-349-19267-0
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)