Skip to main content

Synthesis and Archetypes

The Reinscribed ‘Lost’ Origin; Oedipus and Textual Possession; the Production and Reproduction of Text through Psyche and Psyche through Text; the Encyclopaedic Mind

  • Chapter
Reading Poe Reading Freud
  • 13 Accesses

Abstract

In a fundamental way Freud’s theories are based upon sexuality. However, such sexual theory as is to be found in Freud has been far too often tied to consequent attempts to anchor it in biological data. Freud’s sexual theories are valid, if valid at all, in as much as they deal not with biological realities but with phantasies or projections of a supposed sexuality assumed to exist both by himself and his patients. Freud’s sexual theories are primarily concerned with setting a series of relationships in an order that has a certain logical and significant sense (in as much as they are, like all theories, self-contained and exclusive) and in recognizing that sense as existing not in bodily function but between mental or psychological processes. Freud’s sexuality is literally of the mind. The phantasy then becomes fantastic because ungroundable empirically, rather it is a projection of an unchannelled desire. That Freud’s triangle may or may not be considered ‘true’ as objective fact is irrelevant when one can see that this triangular relationship has efficacy as theory to explain certain mental structures that may or may not display themselves blatantly in the ‘tics’ of physical distress brought about by a repression (one that is unsuccessful of course). Freud’s observations are based on things going wrong in the system, for if the ‘Oedipal crisis’ is successfully surmounted it remains hidden.

This monogram is a triangular pyramid; and as in geometry, the solidity of every polyhedral body may be computed by dividing the body into pyramids, the pyramid is thus considered as the base or essence of every polyhedran. The author then, after his own fashion, may mean to imply that his book is the basis of all solidity or wisdom — or perhaps, since the polyhedron is not only a solid but a solid terminated by plane faces, that the Doctor is the very essence of all that spurious wisdom which will terminate in just nothing at all — in a hoax, and a consequent multiplicity of blank visages. The wit and humour of the Doctor have seldom been equaled.

Edgar Allan Poe ‘Marginalia’

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Jean Laplanche, Life and Death in Psychoanalysis translated by Geoffrey Mehlman (Baltimore: The Johns Hopkins University Press, 1973) p. 112.

    Google Scholar 

  2. Percival Bailey, p. 52. See also Ludwig Wittgenstein, ‘Conversations on Freud’ in Philosophers on Freud, edited by Richard Wollheim (New York: James Aronson Inc., 1977) pp. 1–10 pp. 8–9).

    Google Scholar 

  3. Ibid., p. 51. Jacques Lacan writes of the ‘stumbling’ in sentences where the patient’s words appear ‘elsewhere’ (i.e. via the presence of the analyst). See Jacques Lacan, The Four Fundamental Concepts of Psychoanalysis translated by Alan Sheridan (London: Penguin, 1977) p. 25.

    Google Scholar 

  4. George Steiner, Extraterritorial (London: Peregrine, 1975) pp. 38–9.

    Google Scholar 

  5. Victor Tausk, ‘On the Origin of the “Influencing Machine” in Schizophrenia’, translated by Dorian Feigenbaum, in The Psycho-Analytic Reader, edited by Robert Fliess (London: Hogarth Press, 1951) pp. 31–64.

    Google Scholar 

  6. Roland Barthes, A Lover’s Discourse, translated by Richard Howard (London: Jonathan Cape, 1979) p. 122.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 1988 Clive Bloom

About this chapter

Cite this chapter

Bloom, C. (1988). Synthesis and Archetypes. In: Reading Poe Reading Freud. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-19300-4_7

Download citation

Publish with us

Policies and ethics