Skip to main content

Interpretant and Interpretation

  • Chapter
Semiotics 1980
  • 370 Accesses

Abstract

We do not approach the work of the poet or musician in the same way that we would the geometer’s diagram or the philosopher’s proposition. But, as Peirce points out,

the work of the poet or novelist is not so utterly different from the scientific man. The artist introduces a fiction; but it is not an arbitrary one; it exhibits affinities to which the mind accords a certain approval in pronouncing it beautiful, which if it is not exactly the same as saying that the synthesis is true, is something of the same general kind. The geometer draws a diagram, which if not exactly a fiction, is at least a creation, and by means of observation of that diagram he is able to synthesize and show relations between elements which before seemed to have no necessary connection. (1.383)

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Buchler, J., 1951, “Toward a General Theory of Human Judgement,” Columbia Univ. Press, New York.

    Google Scholar 

  • Osmond-Smith, D., 1972, The iconic process in musical communication, Versus, 3.2, Milano.

    Google Scholar 

  • Peirce, C. S., 1931–58, “Collected Papers of Charles Sanders Peirce,” Harvard Univ. Press, Cambridge.

    Google Scholar 

  • Zeman, J., 1975, Peirce’s theory of signs, in: “A Perfusion of Signs,” T. A. Sebeok, ed., Indiana Univ. Press, Bloomington.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 1982 Plenum Press, New York

About this chapter

Cite this chapter

Oliva, J. (1982). Interpretant and Interpretation. In: Semiotics 1980. Springer, Boston, MA. https://doi.org/10.1007/978-1-4684-9137-1_36

Download citation

  • DOI: https://doi.org/10.1007/978-1-4684-9137-1_36

  • Publisher Name: Springer, Boston, MA

  • Print ISBN: 978-1-4684-9139-5

  • Online ISBN: 978-1-4684-9137-1

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics