Skip to main content

‘The Owls Are Not What They Meme’: Making Sense of Twin Peaks with Internet Memes

  • Chapter
  • First Online:
Critical Essays on Twin Peaks: The Return

Abstract

Internet memes are a significant component of online discourse on the social web in the late 2010s. Cherry explores the ways in which viewers of Twin Peaks: The Return make and make use of memes in their discussions and analysis of the series on Facebook, Reddit, and Twitter. This analysis explores the creation and use of memes to communicate affective responses to the text, the processing of possible meanings of the text, the expectations raised for the series or for particular episodes, recognition of the creative process with respect to David Lynch and Mark Frost, and the positioning of the viewer vis-à-vis both the text and the wider community. Cherry concludes with a discussion of memes in the context of fan production, specifically fan art.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 109.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Booth, Paul. 2015. Playing Fans: Negotiating Fandom and Media in the Digital Age. Iowa City: University of Iowa Press.

    Google Scholar 

  • Cherry, Brigid. 2010. ‘Squee, Retcon, Fanwank and the Not-We: Computer-Mediated Discourse and the Online Audience for NuWho.’ In Ruminations, Peregrinations and Regenerations: A Critical Approach to Doctor Who, edited by Chris Hansen, 209–232. Newcastle upon Tyne: Cambridge Scholars.

    Google Scholar 

  • ———. 2018. ‘Doctor Who Belongs to All of Us: Fan Texts and Fans’ Imaginings of the Future Twelfth Doctor.’ In Doctor Who Twelfth Night, edited by Andrew A. O’Day. London: I.B. Tauris.

    Google Scholar 

  • Davison, Patrick. 2012. ‘The Language of Internet Memes.’ In The Social Media Reader, edited by Michael Mandiberg, 120–134. New York: New York University Press.

    Google Scholar 

  • Derecho, Abigail. 2006. ‘Archontic Literature: A Definition, A History, and Several Theories of Fan Fiction.’ In Fan Fiction and Fan Communities in the Age of the Internet, edited by Karen Hellekson and Kristina Busse, 61–78. Jefferson: McFarland.

    Google Scholar 

  • Hills, Matt. 2002. Fan Cultures. London: Routledge.

    Google Scholar 

  • Ivie, Devon. 2017. ‘The Hidden Significance Behind Dougie’s Favorite Statue in Twin Peaks: The Return.’ Vulture, 16 October. http://www.vulture.com/2017/10/dougies-twin-peaks-statue-the-meaning-behind-it.html. Accessed on 18 October 2017.

  • Jenkins, Henry. 1992. Textual Poachers: Television Fans and Participatory Culture. London: Routledge.

    Book  Google Scholar 

  • Jenkins, Henry, Sam Ford, and Joshua Green. 2013. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press.

    Google Scholar 

  • Knobel, Michele, and Colin Lankshear, eds. 2007. ‘Online Memes, Affinities, and Cultural Production.’ In A New Literacies Sampler, 199–227. New York: Peter Lang.

    Google Scholar 

  • Miltner, Kate M. 2014. ‘There’s No Place for Lulz on LOLCats: The Role of Genre, Gender, and Group Identity in the Interpretation and Enjoyment of an Internet Meme.’ First Monday 19, no. 8. http://firstmonday.org/ojs/index.php/fm/article/view/5391/4103. Accessed on 7 November 2017.

  • Vickery, Jacqueline Ryan R. 2014. ‘The Curious Case of Confession Bear: The Reappropriation of Online Macro-Image Memes.’ Information, Communication & Society 17, no. 3: 301–325.

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Cherry, B. (2019). ‘The Owls Are Not What They Meme’: Making Sense of Twin Peaks with Internet Memes. In: Sanna, A. (eds) Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-04798-6_5

Download citation

Publish with us

Policies and ethics