Abstract
Using elements of Jazz—improvisation and managing uncertainty—teams at North Carolina Central University, University of South Africa, and the Royal Academy of Music in Aarhus, Denmark collaborated on a course that challenged students to explore Jazz in other cultures. In this chapter, the team members document their experiences of planning and managing a course at three very different universities on three continents in real-time. They outline challenges and reveal strategies employed in the design and implementation of this course.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
International Partnership Team for the Coil Project.
- 2.
The Center for Collaborative Online International Learning at the SUNY Global Center. Faculty Guide for Collaborative Online International Learning Course Development, 2010.
- 3.
Stake Mayerring D, Wilson M. Designing globally networked learning environments: visionary partnerships, policies, and pedagogies. Rotherdam: Sense Publishers; 2008. p. 1–17.
- 4.
Prouty K. Knowing jazz: community, pedagogy, and canon in the information age. Jackson: University Press of Mississippi; 2012. p. 115–71.
- 5.
Reindal SM. Building the Bologna process and Kierkegaard’s concept of subjective thinking. Stud Philosophy Educ. 32(5):533–49. Netherlands: Springer. Web.  doi 10.1007/s11217-012-9344-1 . Accessed 13 Nov 13 2013.
- 6.
Susan SB, Obst D. Developing strategic international partnerships. New York: AIFS Foundation, Institute of International Education; 2011. p. 1–170.
- 7.
Novotney A. Engaging the Millennial learner. Monitor on Psychology. March 2010;41(3):60. Web.  http://www.apa.org/monitor/2013/03/undergraduatesaspx/. Accessed 13 Nov 13 2013.
- 8.
Dorfman J. Theory and practice of technology-based music instruction. New York: Oxford University Press; 2013. p. 1–49.
- 9.
Novotney 60.
References
Dorfman, J. Theory and practice of technology-based music instruction. New York: Oxford University Press, 2013.
Novotney, Amy, “Engaging the Millennial learner” Monitor on Psychology Vol 41, No. 3, March, 2010.60. (Web. Nov. 13, 2013), http://www.apa.org/monitor/2013/03/undergraduatesaspx/. http://www.apa.org/monitor/2013/03/undergraduatesaspx/.
Prouty, K. Knowing jazz: community, pedagogy, and canon in the information age. Jackson: University Press of Mississippi; 2012.
Starke-Meyerring, D. and Wilson, M. editors.Designing Globally Networked Learning Environments: Visionary Partnerships, Policies, and Pedagogies.Rotterdam: Sense Publishers, 2008. Print.
Sutton BS, Obst, D. Developing strategic international partnerships. New York: AIFS Foundation, Institute of International Education, 2011.
The Center for Collaborative Online International Learning at The SUNY Global Center. Faculty Guide for Collaborative Online International LearningCourse Development.
Acknowledgement
We are grateful for the nurturing support of the COIL Institute leadership, for the attentiveness and expertise of COIL Director, Jon Rubin and the entire COIL staff, particularly Melanie Wilson, Sarah Guth, Eric Feinblatt and John E. Fowler.We also acknowledge the extraordinary devotion and leadership of the NCCU-UNISA-RAMA team of faculty and staff.Lastly we are grateful for the opportunity to contribute to, and be in the company of, esteemed educators represented in Global Innovation of Teaching and Learning in Higher Education: Transgressing Boundaries. For this opportunity we are owe our most sincere thanks to Prudence Layne and Peter Lake.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Appendix: 1 International Partnership Team For The Coil Project
Appendix: 1 International Partnership Team For The Coil Project
The NCCU-UNISA-RAMA international team of talented educators and musicians included worked diligently over an 18-month planning, design and implementation period. They are as follows:
Ms. Arisa Voges, (Director: Directorate of Music/International Programs), University of South Africa, Pretoria;
Mr. Sean Adams, Faculty, (Subject Specialist/Directorate of Music), University of South Africa, Pretoria;
Dr. Mageshen Naidoo, Faculty, (Deputy Director: Directorate of Music), University of South Africa, Pretoria;
Charl du Plessis, Faculty, (Piano Specialist/Directorate of Music), University of South Africa
Madeline Short, (Instructional Technologist, Directorate of Music), University of South Africa, Pretoria;
Lenora Helm Hammonds, Faculty, Assistant Professor, Department of Music, North Carolina Central University; United States
Dr. Emmanuel Oritsejafor, Professor, Political Science and Public Policy and Chair, Department of Political Science, North Carolina Central University; United States
Dan Reis, Instructional Technologist, North Carolina Central University/Elon University; United States
Keld Hosbond, Head of International Relations, International Programs, Royal Academy of Music, Aarhus, Denmark;
Jens Christian Kwella, Faculty, (Assistant Professor/Jazz/Pop/Global Department) Royal Academy of Music, Aarhus, Denmark.
Astrid Elbek, Head of Development, Assistant Professor, Royal Academy of Music, Aarhus, Denmark
Lana Garland, Consultant/New Media Specialist, Denmark & United States
Rights and permissions
Copyright information
© 2015 Springer International Publishing Switzerland
About this chapter
Cite this chapter
Hammonds, L., Oritsejafor, E. (2015). Navigating the Performance Arts in a Globally Networked Classroom. In: Layne, P., Lake, P. (eds) Global Innovation of Teaching and Learning in Higher Education. Professional Learning and Development in Schools and Higher Education, vol 11. Springer, Cham. https://doi.org/10.1007/978-3-319-10482-9_9
Download citation
DOI: https://doi.org/10.1007/978-3-319-10482-9_9
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-10481-2
Online ISBN: 978-3-319-10482-9
eBook Packages: Humanities, Social Sciences and LawEducation (R0)