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Conclusion

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Spirit of the Arts

Part of the book series: Christianity and Renewal - Interdisciplinary Studies ((CHARIS))

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Abstract

To end the book, this chapter offers three case studies as examples of how one can creatively engage the broader community in ways that positively affect the surrounding culture. This conclusion evaluates three works of art that are cross-disciplinary and multisensory and do not easily fit into any of the earlier chapters. Untraditional art forms can inspire us to be creative in ways that do not necessarily carry long art historical traditions. These untraditional art forms may therefore inspire new ways to engage both the broader and the worshipping community. This chapter looks at the installation and community-based art of contemporary artists Ann Hamilton, Theaster Gates, and Tim Hawkinson as their work exemplifies perfectly how the universal outpour motif can demonstrate a pneumatological aesthetics that engages both matters of embodiment and the community to a broader audience.

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Notes

  1. 1.

    Amei Wallach , “A Conversation with Ann Hamilton in Ohio,” American Art, Vol. 22, No. 1 (2008), 54.

  2. 2.

    Mary Coffey , “Histories That Haunt: A Conversation with Ann Hamilton,” Art Journal, Vol. 60, No. 3 (2001), 15.

  3. 3.

    Wallach, 58.

  4. 4.

    Lisa Dent , “Ann Hamilton: In the Studio,” Art in America, (2012), 175.

  5. 5.

    Ann Hamilton , “Artist Statement: The Event of a Thread, 2012–2013,” http://www.annhamiltonstudio.com/images/projects/armory/Ann_statement_final.pdf (accessed 6/25/17).

  6. 6.

    Hamilton, “Artist Statement.”

  7. 7.

    Ben Austen , “Chicago’s Opportunity Artist,” The New York Times (2013). http://www.nytimes.com/2013/12/22/magazine/chicagos-opportunity-artist.html (accessed 6/27/17).

  8. 8.

    “About Rebuild.” https://rebuild-foundation.org/site/stony-island-arts-bank/ (accessed 6/27/17).

  9. 9.

    Lilly Wei , “In the Studio: Theaster Gates with Lilly Wei,” Art in America (2011), 121.

  10. 10.

    “Stony Island Arts Bank,” https://rebuild-foundation.org/site/stony-island-arts-bank/ (accessed 6/27/17).

  11. 11.

    Austen, “Chicago’s Opportunity Artist.”

  12. 12.

    Austen, “Chicago’s Opportunity Artist.”

  13. 13.

    “Stony Island Arts Bank.”

  14. 14.

    David Coggins , “In the Studio: Tim Hawkinson with David Coggins,” Art in America (2009), 85.

  15. 15.

    Michelle Leight , “Tim Hawkinson: The Whitney Museum of American Art,” The City Review (2005), http://www.thecityreview.com/thawkins.html (accessed, 6/26/17).

  16. 16.

    Eve Wood , “Tim Hawkinson,” ArtUS, Vol. 10 (2005), 12.

  17. 17.

    Wood, “Tim Hawkinson,” 12.

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Félix-Jäger, S. (2017). Conclusion. In: Spirit of the Arts. Christianity and Renewal - Interdisciplinary Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-67919-8_9

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