Skip to main content

Anchoring Thebes: Defining Place and Space in Ancient Greek Theatre

  • Chapter
Griechisch-römische Komödie und Tragödie

Zusammenfassung

On a spring day at the beginning of April towards the end of the first half of the fifth century, in the light of the rising sun, the Athenian audience sat in its theatre. Behind, towered the Acropolis; in front and above, the blue sky; to the right stretched the agora, the heart of its polis, Athens; and to the left not far away lay the Themistoklean city wall and the way out of the city.1 Thus in the lap of nature, with the orchestra spread out under their feet, characters such as Prometheus, Agamemnon, Eteocles, and Orestes rose up and performed their tales of the great heroic past, stories that had taken place in strange, far away places: Argos, Thebes, Persia, or the lifeless desert of Scythia.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliography

  • Barthes, R. 1963. Sur Racine. Paris: Seuil.

    Google Scholar 

  • Bieber, M. 1961. The History of Greek and Roman Theatre. Princeton: University Press.

    Google Scholar 

  • Brook, P. 1968. The Empty Space. London: Macgibbon and Kee.

    Google Scholar 

  • Cameron, H.D. 1971. Studies in the Seven Against Thebes of Aeschylus. The Hague/Paris: Mouton.

    Google Scholar 

  • Dawson, C.M. 1970. The Seven Against Thebes by Aeschylus. N.J.: Prentice-Hall.

    Google Scholar 

  • Easterling, P.E. 1973. “Presentation of Character in Aeschylus”. G&R 20: 3–19.

    Google Scholar 

  • Easterling, P.E. 1989. “City Setting in Greek Poetry”. PCA 86: 5–17.

    Google Scholar 

  • Elam, K. 1980. The Semiotics of Theatre and Drama. London/New York: Methuen.

    Book  Google Scholar 

  • Fischer-Lichte, E. 1992. The Semiotics of Theatre. Indiana: University Press.

    Google Scholar 

  • Golden, L. 1964. “The Character of Eteocles and the Meaning of the Septem”. CPh 59: 79–89.

    Google Scholar 

  • Hutchinson, G.O. 1985. Aeschylus. Septem contra Thebas. Oxford: Clarendon Press.

    Google Scholar 

  • Kitto, H.D.F. 1954. Greek Tragedy. New York: Doubleday.

    Google Scholar 

  • Padel, R. 1990. “Making Space Speak”. In Winler/Zeitlin 1990: 336–365.

    Google Scholar 

  • Pavis, P. 1983. “Towards a Semiology of the Mis-en-scene?”. In: Languages of the Stage. New York: Performing Arts Journal Publication.

    Google Scholar 

  • Petrounias, E. 1976. Funktion und Thematik der Bilder bei Aischylos. Göttingen: Vandenhoeck & Ruprecht.

    Book  Google Scholar 

  • Pickard-Cambridge, A.W. 1946. The Theatre of Dionysus in Athens. Oxford: Clarendon Press.

    Google Scholar 

  • Podlecki, A.J. 1964. “The Character of Eteocles in Aeschylus’ Septem”. TAPA 95: 238f.

    Google Scholar 

  • Scolnicov, H. 1967. The Theatrical Space. Cambridge: University Press.

    Google Scholar 

  • Smyth, H. W. 1973. Aeschylus. Vol. I. London: Heinemann.

    Google Scholar 

  • Styan, J.L. 1975. Drama, Space and Audience. Cambridge: University Press.

    Book  Google Scholar 

  • Taplin, O. 1977. The Stagecraft of Aeschylus. Oxford: Clarendon Press.

    Google Scholar 

  • Thalmann, W.G. 1978: Dramatic Art in Aeschylus’ Seven Against Thebes. Yale: University Press.

    Google Scholar 

  • Travlos, J. 1971. Pictorial Dictionary of Ancient Athens. London: Thames and Hudson.

    Google Scholar 

  • Ubersfeld, A. 1978. Lire le theatre. Paris: Editions Sociales.

    Google Scholar 

  • Vidal-Naquet, P. 1986. “Les boucliers des heros”. In: Mythe et Tragedie II. Paris: Maspero: 121–128.

    Google Scholar 

  • Winkler, J.J./Zeitlin, F.I. 1990. Nothing to Do with Dionysos? Princeton: University Press.

    Google Scholar 

  • Winnington-Ingrarn, R.P. 1983. Studies on Aeschylus. Cambridge: University Press.

    Google Scholar 

  • Wycherley, R.E. 1962. How the Greeks Built Cities. New York/London: W.W. Norton & Company.

    Book  Google Scholar 

  • Zeitlin, F.I. 1982. Under the Sign of the Shield. Roma: Edizioni dell’Ateneo.

    Google Scholar 

  • Zeitlin, F.I. 1990. “Thebes: Theatre of the Self and Society”. In: Winkler/Zeitlin 1990: 130–167.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Bernhard Zimmerann

Rights and permissions

Reprints and permissions

Copyright information

© 1995 Springer-Verlag GmbH Deutschland

About this chapter

Cite this chapter

Yaari, N. (1995). Anchoring Thebes: Defining Place and Space in Ancient Greek Theatre. In: Zimmerann, B. (eds) Griechisch-römische Komödie und Tragödie. J.B. Metzler, Stuttgart. https://doi.org/10.1007/978-3-476-04216-3_6

Download citation

  • DOI: https://doi.org/10.1007/978-3-476-04216-3_6

  • Publisher Name: J.B. Metzler, Stuttgart

  • Print ISBN: 978-3-476-45059-3

  • Online ISBN: 978-3-476-04216-3

  • eBook Packages: J.B. Metzler Humanities (German Language)

Publish with us

Policies and ethics