Skip to main content

Entertainment, Culture, Ideology, and Myth

  • Chapter
Media Literacy and Semiotics

Part of the book series: Semiotics and Popular Culture ((SEMPC))

  • 1510 Accesses

Abstract

Entertainment media are generally understood as various forms of amusement, but the pleasures of entertainment media do not conceal their impact on society. Media products and innovations take many forms, such as television programs, advertising, film, the Internet, electronic games, literature, and comic books, to name a few that provoke perpetual debates about their effects. Entertainment and nonfiction, such as the various forms of journalism, raise questions about representations and issues related to politics, sex, violence, and crime, and their impact on social values, beliefs, and practices within a given culture.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Ellen Seiter, “Semiotics, Structuralism, and Television,” Channels of Discourse Reassembled: Television and Contemporary Criticism, ed. Robert C. Allen (Chapel Hill: University of North Carolina Press, 1992), 50.

    Google Scholar 

  2. Ien Ang, Watching Dallas (New York: Methuen, 1985), 92–96.

    Google Scholar 

  3. Simone De Beauvoir, “Woman as Other,” in Social Theory: The Multicultural and Classic Readings, ed. Charles Lemert, originally published 1949 (Boulder, CO: Westview Press, 1993), 367–380.

    Google Scholar 

  4. Elliot Gaines, “The Semiotic Analysis of Media Myth: A Proposal for an Applied Methodology,” American Journal of Semiotics 17, no. 2 (Summer 2001): 311–327.

    Article  Google Scholar 

  5. Mimi White, “Ideological Analysis and Television,” Channels of Discourse Reassembled: Television and Contemporary Criticism, ed. Robert C. Allen (Chapel Hill: University of North Carolina Press, 1992), 194.

    Google Scholar 

  6. Rodney A. Buxton, “The Late Night Talk Show: Humor in Fringe Television,” Television Criticism: Approaches and Applications, ed. Leah R. Vande Berg and Lawrence A. Wenner (New York: Longman, 1991), 412.

    Google Scholar 

Download references

Authors

Copyright information

© 2010 Elliot Gaines

About this chapter

Cite this chapter

Gaines, E. (2010). Entertainment, Culture, Ideology, and Myth. In: Media Literacy and Semiotics. Semiotics and Popular Culture. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230115514_6

Download citation

Publish with us

Policies and ethics