Abstract
Ivanhoe was Scott’s first novel to venture into English history. By the story’s conclusion, the Saxon and Norman peoples have united as the English under their king and under English law. Judith Wilt has argued for a continuity between Ivanhoe and the Waverley Novels (18–48), but because of its resoundingly English theme, Scott’s perspective as a Scot has been less discussed in relation to Ivanhoe than to any of his other major works. While acknowledging that Scott masks himself by his anonymity1 and his fictional English narrator Laurence Templeton, I shall here discuss Ivanhoe as the work of a lowland Scottish lawyer with an outsider’s perspective on English law. Ivanhoe points to the inherent dangers of interpretation in local law and gently implies an alternative in common law, both commonly applied and based on common sense.
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© 2011 Clare A. Simmons
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Simmons, C.A. (2011). Scottish Lawyers, Feudal Law. In: Popular Medievalism in Romantic-Era Britain. Nineteenth Century Major Lives and Letters. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230117068_7
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DOI: https://doi.org/10.1057/9780230117068_7
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-28809-0
Online ISBN: 978-0-230-11706-8
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