Skip to main content

Living Historically through Photographs in Post-Apartheid South Africa: Reflections on Kliptown Museum, Soweto

  • Chapter
Curating Difficult Knowledge

Part of the book series: Palgrave Macmillan Memory Studies ((PMMS))

  • 1073 Accesses

Abstract

Established at the beginning of the twentieth century, Kliptown is among the oldest of the urban settlements that comprise the vast township of Soweto, which lies to the south-west of Johannesburg. Together with townships such as Sophiatown and Alexandra, Kliptown was one of the few places in South Africa where blacks could own property, and for the first part of the century it was home to a rich mix of different cultural and racial groups. Its national historical significance derives, however, from the mass political gathering that took place there on an abandoned patch of land during two days in June 1955. The Congress of the People was convened by a coalition of anti-apartheid organizations led by the African National Congress (ANC), known as the Congress Alliance. Other members of the alliance were the South African Indian Congress, the South African Congress of Trade Unions, the Coloured People’s Congress and the Congress of Democrats. The meeting represented the culmination of a year’s work gathering views from across the country and across racial lines that were synthesized into a declaration of political values and human rights to form the basis of collective opposition to apartheid. Nearly 3000 delegates were elected to attend the meeting in Kliptown, which would ratify the final form of what was known as the Freedom Charter.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Works cited

  • Azoulay, Ariella (2008). The Civil Contract of Photography. New York: Zone Books.

    Google Scholar 

  • Blustein, Jeffrey (2008). The Moral Demands of Memory. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Coombes, Annie E. (2003). History After Apartheid: Visual Culture and Public Memory in a Democratic South Africa. Durham, NC: Duke University Press.

    Book  Google Scholar 

  • Douglas, Anna (2009). Life Less Ordinary: Performance and Display in South African Art. Catalogue of the exhibition held at Djanogly Art Gallery, September 5—November 15. Nottingham: Djanogly Art Gallery.

    Google Scholar 

  • Hlongwane, Ali Khangela (2008). “Never, Never and Never Again: Realising a Dream or Chasing a Mirage.” In Programme for the 6th Nelson Mandela Annual Lecture, Walter Sisulu Square, Kliptown, Soweto, July 12.

    Google Scholar 

  • Marinovich, Greg and Joao Silva (2001). The Bang-Bang Club: Snapshots from a Hidden War. London: Arrow Books.

    Google Scholar 

  • Marschall, Sabine (2010). “Commemorating the ‘Trojan Horse’ Massacre in Cape Town: The Tension between Vernacular and Official Expressions of Memory.” Visual Studies 25(2): 135–48.

    Article  Google Scholar 

  • Newbury, Darren (2009). Defiant Images: Photography and Apartheid South Africa. Pretoria: University of South Africa Press.

    Google Scholar 

  • Newbury, Darren (2011). “Picturing an ‘Ordinary Atrocity’: Photographs of the Sharpeville Massacre, 21 March, 1960.” In Geoffrey Batchen, Mick Gidley, Nancy K. Miller, and Jay Prosser (eds). Picturing Atrocity: Reading Photographs in Crisis. London: Reaktion Books.

    Google Scholar 

  • Nietzsche, Friedrich and Daniel Breazeale (1997 [1874]). Untimely Meditations. Translated by Reginald John Hollingdale. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Nieves, Angel Davis and Ali Khangela Hlongwane (2007). “Public History and ‘Memorial Architecture’ in the ‘new’ South Africa: The Hector Pieterson Memorial and Museum, Soweto.” Safundi: The Journal of South African and American Studies 8(3): 351–68.

    Article  Google Scholar 

  • Noble, Jonathan A. (2008). “Memorialising the Freedom Charter: Contested Imaginations for the Development of Freedom Square at Kliptown, 1991–2006.” South African Journal of Art History 23(1): 13–32.

    Google Scholar 

  • Peters, Wonderboy (2004). “Locating and Missing Sisulu: The Paradoxes of the Kliptown Open Air Museum.” LitNet: Young Voices: South African Online Writers’ Conference [online] Available at http://www.oulitnet.co.za/youngwriters/wonderboy_peters.asp [Accessed October 20, 2009].

    Google Scholar 

  • Sachs, Albie (2009). “Foreword.” In Darren Newbury, Defiant Images: Photography and Apartheid South Africa. Pretoria: University of South Africa Press.

    Google Scholar 

  • Walker, Keith L. (2002). “Art for Life’s Sake: Rituals and Rights of Self and Other in the Theatre of Aimé Césaire.” In Paul Carter Harrison, Victor Leo Walker, and Gus Edwards (eds). Black Theatre: Ritual Performance in the African Diaspora. Philadelphia: Temple University Press.

    Google Scholar 

  • Weinberg, Eli (1981). Portrait of a People: A Personal Photographic Record of the South African Liberation Struggle. London: International Defence and Aid Fund for Southern Africa.

    Google Scholar 

  • Williams, Paul (2007). Memorial Museums: The Global Rush to Commemorate Atrocities. Oxford: Berg.

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 2011 Darren Newbury

About this chapter

Cite this chapter

Newbury, D. (2011). Living Historically through Photographs in Post-Apartheid South Africa: Reflections on Kliptown Museum, Soweto. In: Lehrer, E., Milton, C.E., Patterson, M.E. (eds) Curating Difficult Knowledge. Palgrave Macmillan Memory Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9780230319554_6

Download citation

Publish with us

Policies and ethics