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“Mixing Vice and Virtue”: Adler, Britannica’s Cottage Industry, and Mid-Century Anxiety

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The Dream of a Democratic Culture
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Abstract

Mortimer Adler helped Britannica’s sales crew and potential male buyers of their wares with another spicy Playboy article in 1965. Titled “The Not-So-Classic Classics,” his piece shared Playboy’s pages with Shel Silverstein, Woody Allen (again), Ray Bradbury, and centerfold Sally Duberson. Adler sought to promote the great books idea with an ironic confession: namely, that some classics “bored” him. He called those less-than-scintillating works “a rogues’ gallery of famous books” and mere “so-called classics.” Adler kept great books promoters’ and salesmen’s interests in mind, however, by avoiding any references to Britannica’s Great Books.1 He would attempt to sell Britannica by explaining what it was not. The piece underscored the cultural strength of great books idea by risking a look at it in negative terms. But the article also continued the implicit theme of the great books’ accessibility from his 1963 Playboy piece.

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Notes

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© 2013 Tim Lacy

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Lacy, T. (2013). “Mixing Vice and Virtue”: Adler, Britannica’s Cottage Industry, and Mid-Century Anxiety. In: The Dream of a Democratic Culture. Palgrave Studies in Cultural and Intellectual History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137042620_5

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  • DOI: https://doi.org/10.1057/9781137042620_5

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-349-34094-1

  • Online ISBN: 978-1-137-04262-0

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