Relational Works-in-Movement Using the Body Response System

Abstract

Audience members are camped on the floor. Pressure-sensing mats and a backprojected screen delineate a performance space. Cameras trained on this space include a live-projected feed, as well as a number of smaller motion-sensing cameras. The performer first appears as silhouette. Notes sound as she moves. As she emerges into the space, her steps launch further notes while her gestures trigger flurries of other pitches. Video-effects shimmer, delay or multiply her projected image when she moves. Sometimes engrossed in inner movementdialogue, at other times she turns attention to the audience, mirroring their postures, dissolving the distance between them. Later, by playfully jogging around or gently nudging audience members, she wordlessly encourages their participation. Finding some willing collaborators, a number of ad hoc movement-duets unfold. One spectator initiates a duet himself. Performance over, the audience are encouraged to investigate the space themselves. The invitation is enthusiastically accepted.