Abstract
This case study demonstrates the effectiveness that an understanding of the implications of visual devices on the pages of prose fiction has in assisting interpretations of graphically disruptive prose fictions. It conducts a sustained close reading, analysis and interpretation of the postmodern writer, Raymond Federman’s Double or Nothing: A Real Fictitious Discourse (1992).
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© 2016 Simon Barton
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Barton, S. (2016). Case Study 1: Raymond Federman’s Double or Nothing: A Real Fictitious Discourse (1992). In: Visual Devices in Contemporary Prose Fiction. Palgrave Macmillan, London. https://doi.org/10.1057/9781137467362_5
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DOI: https://doi.org/10.1057/9781137467362_5
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-58025-5
Online ISBN: 978-1-137-46736-2
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)