Abstract
This chapter examines commemoration in television factual programming (news and documentaries) with a view to teasing out its discursive realisations and demonstrating through four interrelated case studies the potential cross-cultural valence of such discourse realisations. Commemoration is a widely used term which broadly refers to ‘the practices and artefacts [...] that social groups mobilise to represent the past to them and others’ (Conway 2010: 444). In its social group dimension, commemoration is closely linked to a central notion in the interdisciplinary field of Memory Studies, namely that of collective memory. This term was introduced by the French sociologist Maurice Halbwachs (1925/1992, 1950/1980) in the 1920s.1 For Halbwachs all individual memory is necessarily constructed within social institutions and structures, that is, memory depends upon the ‘cadre’ within which specific social groups are situated.
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Lorenzo-Dus, N. (2015). Television, Collective Memory and the Commemoration Cure. In: Piazza, R., Haarman, L., Caborn, A. (eds) Values and Choices in Television Discourse. Palgrave Macmillan, London. https://doi.org/10.1057/9781137478474_5
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DOI: https://doi.org/10.1057/9781137478474_5
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