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Nadja: André Breton

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Definition

Nadja (1928), by André Breton (1896–1966), is one of the major novels of Paris, and of Surrealism, deeply influenced by Baudelaire, Lautréamont, Rimbaud, and by Louis Aragon, whose Paris Peasant had appeared in instalments between 1924 to 1926. In its turn, it influenced Philippe Soupault’s Last Nights of Paris (1928). It is a document of Surrealism, and deeply influential on all work which has explored the everyday, and the idea of the dérive, drifting through the city in walking, an idea associated with Guy Debord. In that sense, it is formative for thinking about cities, as it is also definitional for Surrealism. Nadja was revised in 1962, but this article discusses the 1928 edition.

Breton and Surrealism

André Breton, Normandy-born, studied medicine and served in neuropsychiatric centers during WWI, at Nantes, where he encountered Jacques Vaché, who appears in Nadja(37) and then, for much of 1916, at Saint-Dizier, where he worked under the influence of Emmanuel Regis...

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Bibliography and Further Reading

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  • Breton, André. 1987. Mad love. Trans. Mary Ann Caws. Lincoln: Bison Press.

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  • Herheck, Mariah Devereux. 2008. André Breton’s Nadja: a vagabonde in a femme fatale’s narrative. Dalhousie French Studies 82: 163–171.

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Correspondence to Jeremy Tambling .

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Tambling, J. (2020). Nadja: André Breton. In: Tambling, J. (eds) The Palgrave Encyclopedia of Urban Literary Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-62592-8_189-1

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  • DOI: https://doi.org/10.1007/978-3-319-62592-8_189-1

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  • Print ISBN: 978-3-319-62592-8

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